M E N T A L W A L L S
M E N T A L W A L L P A I N T I N G
© P M C O L P I N - G U C A T A R T
T I M E & L I F E SE R IE N°6
D I M E N S I O N S
190CM X 170CM
M E DI U M
MIXED MEDIA ON RECYCLING PAPER, PIGMENT & CUT OUTS
L O C A T I O N
PRIVATE COLLECTION FRANCE
This imposing work, titled a "mentalwall," commands the viewer’s space with substantial dimensions of 190× 170 cm. Executed on canvas, it is a mixed media composition that relies heavily on the tactile interplay between oil sticks and found paper. The substrate appears to be layered with glued sheets—likely repurposed posters or newsprint—creating a crinkled, uneven topography that traps light and adds physical depth.
The surface is treated with aggressive washes of magenta and violet, likely diluted ink or acrylic, which bleed into the absorbent paper. Over this, the artist has applied oil stick in thick, deliberate black lines to define figures and text. The work is signed and protected under the copyright © PM Colpin-Gucat Art.
The term "mentalwall" suggests that this piece functions as an externalized mind map—a vertical projection of the artist's subconscious or intellectual processing of reality. Rather than a window into a scene, it is a wall of information. The creation context appears to be one of urban archaeology and social critique. By utilizing "found paper," the artist physically embeds the detritus of the street into the studio practice. The scale suggests a desire to immerse the viewer in the raw data of the subject matter, mimicking the overwhelming nature of street advertisements or graffiti walls where messages overlap and compete for attention.
The piece sits firmly within the lineage of Neo-Expressionism and Street Art, invoking the raw, frenetic energy of Jean-Michel Basquiat.
Dichotomy of Line and Color: The stark, heavy black lines of the oil stick contrast violently with the fluid, unpredictable nature of the pink washes. This creates a visual tension between structure (the math, the figures) and chaos (the bleeding color).
Text as Texture: Words are used not just for meaning but as compositional anchors. The handwriting is jagged and urgent, reinforcing the "mentalwall" concept—these are notes scribbled in a moment of realization.
Collage Aesthetic: The visible seams of the found paper disrupt the image, reminding the viewer that this is a constructed reality, pieced together from scraps of the material world.